Kent & Curwen AW25 Runway
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My Beautiful City produced and directed Kent & Curwen’s AW25 runway at the Foreign, Commonwealth & Development Office, transforming the state rooms into a make-believe train station. Channeling C.S. Lewis’s childhood imagination, the scenography balanced nostalgia and self-actualisation: platform “runway” spine, period benches and luggage stacks, a station clock and graphic wayfinding, with soft steam cues and a tannoy-led soundscape to stage departures and arrivals. A choreographed lighting programme moved from cold morning to dusky evening to pace the narrative and time key reveals. Sightlines, music cues and camera positions were engineered for clean silhouettes and editorial frames, delivering a transportive show that felt cinematic in the room and on camera
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For Kent & Curwen’s AW25 show, My Beautiful City transformed the Foreign Office into a cinematic train station, where tailored silhouettes are framed through controlled lighting, precise sightlines and a narrative of departure and arrival.
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For Kent & Curwen’s AW25 show, My Beautiful City transformed the Foreign Office into a cinematic train station, where tailored silhouettes are framed through controlled lighting, precise sightlines and a narrative of departure and arrival.
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For Kent & Curwen’s AW25 show, My Beautiful City transformed the Foreign Office into a cinematic train station, where tailored silhouettes are framed through controlled lighting, precise sightlines and a narrative of departure and arrival.
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For Kent & Curwen’s AW25 show, My Beautiful City transformed the Foreign Office into a cinematic train station, where tailored silhouettes are framed through controlled lighting, precise sightlines and a narrative of departure and arrival.
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For Kent & Curwen’s AW25 show, My Beautiful City transformed the Foreign Office into a cinematic train station, where tailored silhouettes are framed through controlled lighting, precise sightlines and a narrative of departure and arrival.
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For Kent & Curwen’s AW25 show, My Beautiful City transformed the Foreign Office into a cinematic train station, where tailored silhouettes are framed through controlled lighting, precise sightlines and a narrative of departure and arrival.
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For Kent & Curwen’s AW25 show, My Beautiful City transformed the Foreign Office into a cinematic train station, where tailored silhouettes are framed through controlled lighting, precise sightlines and a narrative of departure and arrival.
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For Kent & Curwen’s AW25 show, My Beautiful City transformed the Foreign Office into a cinematic train station, where tailored silhouettes are framed through controlled lighting, precise sightlines and a narrative of departure and arrival.
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For Kent & Curwen’s AW25 show, My Beautiful City transformed the Foreign Office into a cinematic train station, where tailored silhouettes are framed through controlled lighting, precise sightlines and a narrative of departure and arrival.
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For Kent & Curwen’s AW25 show, My Beautiful City transformed the Foreign Office into a cinematic train station, where tailored silhouettes are framed through controlled lighting, precise sightlines and a narrative of departure and arrival.
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The scenography for the show centres the natural stone floor as runway, using seating, lighting cues to guide focus and pace the show’s transportive, time-based narrative.
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The scenography for the show centres the natural stone floor as runway, using seating, lighting cues to guide focus and pace the show’s transportive, time-based narrative.
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The scenography for the show centres the natural stone floor as runway, using seating, lighting cues to guide focus and pace the show’s transportive, time-based narrative.
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The scenography for the show centres the natural stone floor as runway, using seating, lighting cues to guide focus and pace the show’s transportive, time-based narrative.
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The scenography for the show centres the natural stone floor as runway, using seating, lighting cues to guide focus and pace the show’s transportive, time-based narrative.
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The scenography for the show centres the natural stone floor as runway, using seating, lighting cues to guide focus and pace the show’s transportive, time-based narrative.
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The scenography for the show centres the natural stone floor as runway, using seating, lighting cues to guide focus and pace the show’s transportive, time-based narrative.
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The scenography for the show centres the natural stone floor as runway, using seating, lighting cues to guide focus and pace the show’s transportive, time-based narrative.
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The scenography for the show centres the natural stone floor as runway, using seating, lighting cues to guide focus and pace the show’s transportive, time-based narrative.
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The scenography for the show centres the natural stone floor as runway, using seating, lighting cues to guide focus and pace the show’s transportive, time-based narrative.
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A station clock anchors Kent & Curwen AW25’s concept, balancing nostalgia with a structured, cinematic runway environment.
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A station clock anchors Kent & Curwen AW25’s concept, balancing nostalgia with a structured, cinematic runway environment.
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A station clock anchors Kent & Curwen AW25’s concept, balancing nostalgia with a structured, cinematic runway environment.
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A station clock anchors Kent & Curwen AW25’s concept, balancing nostalgia with a structured, cinematic runway environment.
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A station clock anchors Kent & Curwen AW25’s concept, balancing nostalgia with a structured, cinematic runway environment.
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A station clock anchors Kent & Curwen AW25’s concept, balancing nostalgia with a structured, cinematic runway environment.
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A station clock anchors Kent & Curwen AW25’s concept, balancing nostalgia with a structured, cinematic runway environment.
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A station clock anchors Kent & Curwen AW25’s concept, balancing nostalgia with a structured, cinematic runway environment.
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A station clock anchors Kent & Curwen AW25’s concept, balancing nostalgia with a structured, cinematic runway environment.
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A station clock anchors Kent & Curwen AW25’s concept, balancing nostalgia with a structured, cinematic runway environment.
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